Znalazłem ciekawy wpis nt. kolejnej kostki, która warto sprawdzić:
http://forums.klipsch.com/forums/p/11875/88077.aspx"But what about the sound of music? Well, I\'ve been using a stock Dyna ST-70, which gave me a sweet, slightly warm, and *very* listenable sound. The TDA1521 is clearer, more detailed, cooler without being dry or "transistory". Voices are very clear and smooth, instruments are well defined, front to back layering is the best I\'ve heard to date on my Khorns. The lows are full and natural, less tubby and warm than with the Dyna; the highs are extended and clear. Purcussion instruments have a clarity and bite I never heard through the Dyna - they sound more "there", more real through the little Velleman. It\'s not perfect - there does seem some very slight roughness in the upper mids - the curves in the data sheet imply a class B output stage, and maybe I\'m hearing a hint of grittiness from the crossover distortion often associated with no bias current in the output stage. But it\'s very subtle, and in reality, I may just be hearing imperfections in recordings (or my preamp, a 20 year old APT Holman) previously masked by my Dyna."
Facet słucha na Klipschornach:)
Tak sobie patrzę na schemat i sie zastanawiam, czy przy zasilaniu symetrycznym te kondensatory na wejściu są potrzebne? Ten Zobel na wyjściu chyba tez można ominąć jak się ma łatwe kolumny?
